Open letter to concert editors

Dear editors,
I understand how hard it is to take raw footage and edit it into something beautiful and coherent -- especially when it needs to be in time with the music. I really do understand, because although I am a metal messenger by night (read: blogging nerd), I am also a professional editor by day. I am not saying I'm necessarily better than you at this, nor am I trying to brag, I'm merely explaining how I know a thing or two about this activity.
There is, however, no reason to giving me a close-up of the drummer, whilst the lead guitarist is doing a solo. You see, each member of the band is important in his own right, so you don't have to be unfair and focus on the singer more than you focus on the guitarist, for instance. Unless we're talking about a solo artist and his live band, that is. But if we're talking about a metal band, when the lead guitarist is doing a solo, I want to see him do that solo. As many shots of him playing the guitar as necessary.
When a solo is happening, fuck the singer, fuck the drummer. I want to see the solo being played. And here's one of the many reasons:
A lot of people who listen to this type of music play instruments themselves. Chances are, if someone plays guitar and is watching an AC/DC dvd, for instance, he is interested in watching Angus Young do his thing. So when Angus is doing a solo, focus on that solo. Alternate between close-ups and full shots of him, do whatever you have to do to feel like you're editing the concert, but don't lose track of which instrument is the main focus at any given time.
Fans usually buy these DVDs, they want to see when the guitarist does his solo, when the vocalist does his trademark scream, when the drummer does a blast beat. Just put yourself in their position. This is the music they're playing, what would I want to see if I was a big fan?
I think editors who work on concerts need to be familiar with the band they're working on.
Make the jump, cause I'm not done yet. I'm gonna start giving examples of good edits versus bad edits. Ohh boy, I'm so excited! Feel these nipples.
SOPA – We asked for opinions

The Stop Online Piracy Act (SOPA) is a very controversial subject. We found that out when we asked 20 musicians, 3 artists, 1 band manager and 1 PR agent for their opinion on the matter, and only 6 of them finally sent us a statement.
We do understand that some people don't want to comment on the bill though. Not everyone is going to understand and agree with what these people think. They are musicians after all, not average internet users. So their opinion on the matter might split their fanbase into two camps, and we can definitely understand why they don't want to risk that.
With that being said, with this article we're trying to give those people a chance to speak on the matter, since they would be affected by it in different ways than most people. Five musicians (including one who is also the director of an independent record label), one artist and finally the writers of this website speak out on the Stop Online Piracy Act and piracy in general right after the jump.
Now, why would our opinion really matter? Dose of Metal and other similar music blogs rely heavily on Youtube and PR agencies distributing music for promotion purposes through one-click hosts. Without that, this site would barely be able to exist in its current form.
Musicians and other artists would face an even bigger challenge, if this bill went through. Just think of all the internet promotion they couldn't count on anymore.
Keep all that in mind when you're reading the rest of this story after the jump.
Back when they were still good: Children Of Bodom
Okay, I will admit the title of my rant may be a little bit misleading. Why you ask? Well, to be perfectly honest, I still enjoy the most recent outings to this day from Children Of Bodom. The thing is, from 1999 until about 2003, Children Of Bodom were once a really, really great band. Possibly one of the best around that time frame (when it came to the mainstream metal scene).
Children Of Bodom were at their absolute peak with their sophomore release, Hatebreeder. The album is flawless from start to finish, with awesome catchy hooks, crushing monstrous riffs and a unique sound. It was great seeing a melodic death album in 1999 not sounding like something from At The Gates .
My personal favorite song on Hatebreeder is right above this post, so go give it a listen! Okay? Cool.
SOPA & PIPA: From a metalhead’s perspective

We are right in the heat of talks over and over on the topic of Internet copyright infringement and the full weight of the US government, being thrown down on any entity who wishes to even come close to making it possible for someone to download protected intellectual property without permission from the music / software / entertainment industries.
But here is the big question, from my point of view (a metalhead's position): How does this all affect me and what are the implications for the future of Heavy Metal under this ruling, should it get passed into full effect?
Right now the focus is on the innocent file-sharers who are not pirates, they face hardships ahead. But there is also some focus on the fact that this is seen as a breach on the freedoms of the citizens of the world. A malign against the WWW generation who wants “free” to be the salient of the day.
I read a few days ago how the government has already leaped into action and seized $millions in what it stated were illegal sales of protected material. From the news it seemed that this was valid and criminals had been brought to justice in that case. So no doubt there is some genuine applications for such an act, to try remove the scourge of thieves who seek to undermine honest companies who bring us our entertainment.
One of the biggest issues I see with the music industry though, is not just so much the piracy or giving away / sharing of licenced material, but the listeners view of value of said music. I heard that there was a recent pole which showed most young people felt that music should be free and they place no financial value on it. Of course this is not true for everyone, but many young people do feel that way, ask them and you find many download music free of charge, which legally should have been paid for. I do agree with David Draiman’s comments, when he said that many fans make up for it through buying merch and attending shows, but he also said that due to the labels taking larger percentages of such revenues now, it would be fair if the artists took a nominal fee for some music downloads and I see that he has a point.
While I also read on another site, how Duff McKagen feels that PIPA (Protect Intellectual Property Act) and SOPA (Stop Online Piracy Act) are valid methods of preserving the arts and maintaining viability of the entertainment industry. Or at least that is how I understood his view. He felt that the global online community did not come to the rescue of the music business when it saw circa 50% of its business disappear due to illegal downloads. In my opinion, there is some sense to this, but I don’t think that its the responsibility of the general public to look out for the interests of big business. If their copyright is being infringed upon, they can handle it with all their $ and lawyers. But when the rights of the world come into question, our very freedoms, in order to make corporations richer, then that offends me.
Sorry Duff, you're cool but you;re a rich rock star. Us mere mortals are more worried about freedom of information and less about royalties for artists, many of which actually earn more than most people. For those who are not rich and have to struggle, I feel most of them are likely better artists for it and if they keep at it with determination, they will make it, unless they don't have the talent in the first place. For me, there are way too many people looking for overnight success, they would rather go on American Idol than work hard on the circuit and earn their chops and fan-base through some sweat and grit. That is why most American Idol winners are one hit wonders.
As a true blue metal fan, I try to be honest, look at the big picture and see where this is going. I have paid for countless concert tickets, albums, T-shirts etc. I buy magazines and DVD’s. I spend a large portion of my disposable income on the Heavy Metal industry, because if people like myself did not do this, there simply would not be an industry and we would lose many of the bands we love, as they would be forced to spend time earning money in another sector. We live in a capitalist monetary society, unless that changes, bands will need an income and so we need to either provide that as the fans and beneficiaries of their trade, or we need to accept the decline of our music and identity.
We have for the first time in a decade, seen the Pop genre outsell the Rock genre in album sales. This is because of such things as illegal file sharing and not because Pop is better or even that its fans buy more music. On the contrary, metal fans in particular tend to buy albums for its art work and collection, where most pop fans stick to downloading singles for the most part.
I pride myself with owning my Metal CD collection, I love the album art, the sleeves with the photo’s and lyrics sheets. I enjoy the purchase and the delivery. I feel good when I walk into a high street store and come out with a new CD. I like when I see a new album come through the post. It's exciting for me as a fan. Back when I was a kid, CD’s cost way more, double in fact what they do now. I simply do not understand why a true fan would not wish to contribute to the success of their favourite groups and support our scene.
No doubt austerity is not helping, but this is a situation that has been getting worse since before the recession hit. We have to acknowledge that SOPA and PIPA are not the solution, but we do need one.
Artwork: LeetMonkey
Slamming Beatdown Death live… wait what?
I'm a Death Metal guy. Everybody who knows me, knows that I love Death Metal. I'm mainly into classic Death, but also enjoy quite a few Melodic, Brutal, Progressive and Blackened Death Metal bands, and in some cases even Deathgrind. I'm saying that to let you know that I'm open-minded when it comes to Death Metal. I even thought I knew quite a bit about the genre but I have never heard of Slamming Beatdown Death before.
So now I'm posting a live performance of Begging For Incest. I'll be honest, I'm partly posting this because their vocalist Meik is a buddy of mine. But I'm mainly posting this because of how fascinating I find it that this actually appeals to me. It goes exactly against what I usually enjoy. It's simple, it pretty much only consists of breakdowns and the vocals are mainly pig squeals.
It's similiar to my fascination with Mortician. Dumbed down, braindead but fun Death Metal. Don't watch it if you're expecting something technical and challenging. If you're able to turn off your brain and just want to have a good time with some really heavy music, watch the video above.
Thursday Dose: This Is Turin

Writing for Dose of Metal gave me the opportunity to check out bands, I probably wouldn't have heard of otherwise. Of all the great bands I got to check out, one stood out.
In May of last year, I reviewed Condate Records' Split Roast sampler. The review didn't go over well with some of the bands included on the sampler, but it never really bothered me what people thought about my writing. You just have to take it with a grain of salt, when a band, that you wrote negatively about, criticizes your work.
One band included on the Split Roast sampler was Colonel Blast. They got the best rating from me, with a 4-and-a-half skull rating for their two songs included. I really wanted to get their debut album next to review. I wrote to Condate Records, I wrote to their PR agency and I wrote to the band, to no success. It may be speculation on my part, but I felt like they didn't want to cooperate with us, because of my negative reviews of some of their fellow bands.
Here is the catch, I'm a stubborn motherfucker. If you don't give me your album for review purposes, I'll just buy it and then review it. Obviously, as a reviewer for a metal blog, you can't buy each and every album you want to review. You'd be broke within weeks. I bought Colonel Blast's For The Greater Good anyhow and gave it a 5 skull review.
Following that review, the band apologized to me for not sending me their album and thanked me for the review. Maybe I was wrong, and the band simply overlooked my inquiry by mistake. To leave it all behind, I offered them an interview. I wanted to do a joint interview with their previous singer Matt Bolton and their current singer Darryl Jones. I never got an answer and was finally fed up with their unprofessionalism.
It's pretty simple. I don't have to write about your band. If I like your band, I'm writing about it to make other people, who read our site, check out your band. To me that's a very positive thing. If I like your band, write positively about it and you simply don't want to cooperate with me... well... fuck you. There's not a better way to put it. If you don't want the promotion, I won't force it upon you.
More than half a year later, I find out about This Is Turin. This Is Turin is Darryl Jones' original band, and guess what. I like them. So, even after the two dumps Colonel Blast took on us, I'm again swallowing my pride and going out of my way to write about their singer's work. This time I'm not doing it because I think they deserve the promotion. I'm doing it because this is what Dose of Metal is designed to do; write about good music.
This Is Turin certainly do play great music and I'd like our readers to listen to them. After all, this should be about the appreciation of music, and not personal feelings towards their creators. I just want you, the readers, to understand that it wasn't an easy decision for me to write about This Is Turin. But I want you to check them out either way. You can do that on Soundcloud or simply click the play button below. While you do that, I will keep on questioning my decision to write about them.
Metal Kino: Why You Do This
It's time for a new metal documentary. Why You Do This is "a documentary about happiness, money & tech metal." The film follows Michael Dafferner, satellite engineer and vocalist of an "unknown math-core metal band called Car Bomb." It also includes interviews with members of Lamb of God, Gojira, Goatwhore and Charred Walls of the Damned (who?).
I haven't watched it myself yet, but I will try to do so sometime soon. Feel free to let me know if it's any good in the comments section. Or don't. I won't read it most likely either way.
Happy New Year, fuckers!

Happy New Year mother truckers!
What a year, huh? Our first 'full year' of running DoM. We started in late 2010 so 2011 was the first year we started from scratch. And now it has ended.
Don't worry, we have a life, this post was scheduled for 12.00 am, January 1st -- New York City time. If you're reading this right at the moment of being posted, you either:
a) have no life and are stuck on the internet on NYE, which sucks for you. haha.
b) have some sort of life and are reading this on a phone, or at a computer at a party.
c) a mixture of both (like, you know, you're home but pretending you're at a party with a hot chick)
Either way, happy new year. We hope to make 2012 as interesting as 2011 in terms of metal blogging, but let's face it, we probably won't.
Anyway, get drunk, get laid, start shit, get arrested, basically have a good time. I'll schedule another post after this one, just so you have something to read, loser...
And now time for some metal
I'm sick of posting about fucking shitty ass, alleged, so-called "metal". How about I actually post some real metal? Good idea, right?
Listen to Evile's 'Cult' above and enjoy.
Enter Slipknot

I buy CDs on the basis that I know I’ll want to listen to them at some point in the future. That point may be the day of purchase or it may be days, weeks, or even years in the future. With that in mind, I just decided that now is the right time to discover Slipknot. I bought the first 3 albums when they were released but until this week I haven’t heard any of them (I haven’t picked up the fourth one yet).
I read the metal press and esteemed metal websites, natch, but by listening to music in my own time I find myself well removed from any hype, allowing me to appreciate (judge ?) the music solely on its own merits. But hang on I’ve seen them play live thrice, and I’ve seen the Disasterpieces DVD too so what the fuck am I talking about ? Well yeah okay, but I still haven’t heard the first three albums until this week.
So now I presumably know what everyone else knows, The first album is good, the second is better and the third is the weakest. A most enjoyable week and well worth the wait as far as i’m concerned, in fact I’m playing Iowanow as I type.
Maybe soon I’ll be in the mood to listen to The Hellacopters, I’ve got their first 6 albums but as yet I’ve heard nothing by them, or maybe I should dig out some vinyl I have yet to play ? I know I haven’t played MC5’s Kick Out the Jams yet and I’ve had that in my collection for many years. Still, there’s no rush is there?
John Lennon: 31 years ago today
On this day 31 years ago, John Lennon was murdered outside of his apartment in New York. He was shot in the back four times by a man named Mark David Chapman (oddly enough, he happened to get John Lennon's autograph earlier in the evening). Mark David Chapman was sentenced 20 years to life and, to this day, still remains in prison
John Lennon is, without question, one of the biggest names is music history. He wasn't a metal musician but he and the rest of The Beatles influenced countless and countless of artists from many different musical genres.
He was a great songwriter that composed many classics over the years. R.I.P.
Top 5: Machine Head albums

Today isn't Friday, so it's a good job this is just a top 5 and not a top 10, isn't it? Oo-ooh-ooh, hoo yeah, yeah. It's Thursday, Thursday. Gotta get down on Thursday. It's top 5 time bitchez with some Machine fucking Head.
So why not top 10? Well besides the fact I'm incredibly lazy and only have a short amount of time I can masturbate in, Machine Head don't even have 10 albums.
So without a further ado, I present to you the top 5 Machine Head albums. Make the machine fucking jump.
R.I.P. Dimebag Darrell

On this day, seven years ago, one of the greatest guitarists of our time was cruelly taken away from his fans, friends and family after a man whose name I shall not repeat chose to take away his life in a horrific murder that shocked the metal community.
May Dimebag Darrell rest in peace and may we all celebrate his life and music for years to come. Why not join me in listening to one of Pantera's greatest songs below and raising a glass to Mr Dimebag Darrell?
The influence of Pink Floyd
I don't what it is about Pink Floyd, since I was a child their music has dominated my repertoire like no other band. Atmospheric, experimental, deeply dark and disturbing, musically it isn't difficult to see why I like them so much. Whilst I eventually discovered other bands, starting with the Led Zeppelins and Black Sabbaths and eventually moving onto far heavier music (I'll ignore certain 'gateway' bands for now), it wasn't until my tastes delved deeper down the paths of prog/experimental rock and metal, that I realized how much my tastes had come full circle.
Four years ago, I moved out and was discovering what it was like to live within the student environment. I had my own computer, my own internet connection, and besides re-discovering internet porn, it was actually my wider discovery of music that had me most interested. Browsing various black metal, doom metal and prog metal websites, the majority that had details of Pink Floyd initially dumbfounded me (although I now wonder why - perhaps I was drunk, as I was 99% of the time). The fact is though, their influence can be heard so widely across a plentiful array of genres, and particularly within metal.
So, here's to one of the greatest bands of all time. Thank you. Without Pink Floyd, they'd certainly be no Opeth, no Neurosis, no Cult of Luna and no Between the Buried and Me. For now, why not join me in listening to one of the finest Floyd tunes, 'Welcome to the Machine', above.
Rolling Stone’s Top 100 guitarists of all time makes Alex laugh

So Rolling Stone magazine has a new Top 100 out, and it's about the best guitarists of all time... Now, I do know how hard it must be to put such a top together, you have to take a lot of things into consideration, and no matter what, people will always be disappointed.
But I really think this Top is overall a piece of shit. I'm sorry, nothing against the magazine, but it just makes me laugh.
James Hetfield is ranked 87th. Dimebag is ranked 92nd. You know what Tom Morello is ranked? Fucking 40th.
I mean I got nothing against the guy, but how can the guy who uses every pedal in the goddamn universe rank about 50 places higher than two of the most influential metal guitarists? He's even four places higher than Mark Knopfler, and that really is an amazing guitarist. Take away all of his pedals, what does Tom have, anyway, when compared to those three?
Kurt Cobain is also ranked higher than Dime and Jaymz.
Now, about the first places, I do agree with them. Jimi Hendrix is, of course, in first place, followed by Eric Clapton and Jimmy Page. Other wonderful guitarists are very high up, which is another plus for the article -- Chuck Berry (7th), Eddie Van Halen (8th), Angus Young (24th) and Tony Iommi (25th).
I do have a problem with Keith Richards getting number four. I mean, I love the Stones, and I think they're wonderful -- they also put an amazing show live. But is Keith really above all those other names? I know it's probably his writing, not his proficiency, that got him there... But the fourth guitarist of all time? I don't think so. Are they biased cause they share (almost) the same name as his band?
The whole top is a mess, and metalheads got fucked. Rolling Stone usually has great articles, so how could this happen?
Oh, the guy who plays guitar in Blink-182 was one of the voters. Alongside him, Billy Corgan and a shitload of people I never heard of. Well, with such a roster of amazing talents (such as the dude in Blink), no wonder they screwed it up.
Good job on *most* of the first places, but shame on you for neglecting or underestimating some fine metal guitarists. Hope you redeem yourself, Rolling Stone.
You can read the full article here. Keep in mind that it has that awful image scroller thing, so you can only browse it one name at a time. If you want a headache-free list of the Top 100, make the jump.
