Category Archives: Reviews


Review: Archetype EP (2011)

It’s been a while since I’ve posted at Dose of Metal. It had to happen. At some point, I had to wake up, snap out of it and realize that I’m not a rock star (or should that be metal star?), earning millions and married to my ten wives (all of which are Playboy bunnies, of course). Enter real life: A world where I have commitments, have to earn money and pay rent. We all do it, but hey, I’m still going to bitch about it – because I can.

But sooner or later, I would need to post back on DoM, for at least my sanity’s sake. So here I am, and I figured the best way to get back into it, would be to post some reviews of the music I’ve listened to, good and bad, over the last month or so. So here we go…

Archetype self-titled EP (2011)

1. ‘Decease to Exist’ – 4:39
2. ‘The Fault of My Design’ – 3:50
3. ‘The Silence’ – 3:04
4. ‘Into Infamy’ – 4:02
5. ‘Ruination’ – 4:03

An EP logged in my recent purchases on Amazon comes from relatively unknown unsigned UK act, Archetype. The two-member melodic death metal band, hailing from my hometown, combine a fury of ferocious screams, death metal blastbeats and thrashy riffs, making them one of the more interesting melodic death bands in recent years.

Being an unsigned, young, two-member band, you could be forgiven for thinking that Archetype will be another generic At The Gates ripoff act with little talent. However, this is far from being the case. The amount of talent on display from the two members is incredible. Combining the groove of At The Gates, the triumphant melodies of Arch Enemy and the thrash style of early era The Haunted (before they went a bit shit), Archetype merge various styles, as well as their own unique progressive vision to craft what is a creative take on the melodic death metal genre, avoiding many of the pitfalls and clichés that a lot of their contemporaries fall into .

Musically, the band are on fire for the entire EP, with vocalist Danny McAuley screaming with conviction often unseen with modern metal acts. Musically, Matthew Phillips’ guitar harmonies interweave with violent chords and  pummeling drums. Additionally, the demo is full of some powerful hooks, melodies, and brilliant solos that make this a must have for fans of melodic death metal. The most interesting aspect of the songwriting, however, is the use of motifs throughout the EP, creating continuity between tracks.

Melodic death metal fans looking for something new and fresh, look no further. It’s short and sweet, but for just 3.45 Great British Pounds, you can’t go wrong with this entry EP from newcomers Archetype.


Blast From The Past: Judas Priest – Rocka Rolla

As a huge metal fan, I am surely a huge Judas Priest fan. Well the two are synonymous after all, because JP are in fact one of the very founders or our genre and not all metalheads today realize just how much they owe to Priest for their favorite bands sound!

It may have been Black Sabbath who introduced the world to dark / doom metal, but It was Judas Priest who were the first mainstream act to have the “Heavy” guitar double attack, they were the first along with Motörhead to bring the biker image to metal with the leathers and Rob’s Harley becoming a stage mascot. So even if you have never really gotten into this band, its well worth giving them a try and at least having something of theirs in your collection, because without them, there would simply not be the sounds that we know and love today and they have done some great songs through the decades.


Live Review: Rammstein 11-08-2011

Rammstein Live in Zagreb 2011

It’s not every day I get to write an article like this, so it gives me much pleasure to be the one to bring it to you. Fresh off the start of their Made in Germany 1995-2011 tour, I give you a review of Rammstein‘s latest tour offering.

What’s it like? Actually, here’s the thing: if you’re planning on seeing them on this tour, I’d say the best option is not to read this or any other reviews or watch any clips, because you’ll be spoiling much of the show. In case you don’t care, well, by all means make the jump!


Dose of Krisiun

What with Guido’s excellent Death Metal onslaught stomping on our eyeballs this week, I think now is as good a time as any to review Krisiun‘s new magnum opus – The Great Execution.

Even though executed superbly, is it possible for a death metal album to have too many slow tracks? Yes it is. Does The Great Execution have too many slow tracks? No. But if the fence were any narrower opinion wouldn’t be able to straddle it.

So is it any good? Yep it’s excellent, in my humble opinion, if you like death metal there is no reason why you won’t like this, although to be fair in a couple of places it’s more metal than death metal — but the Kolesne brothers are playing with such conviction it’s hard not to be swept away.

I dunno if different releases will contain different content but track 11 on my copy is a re-recording of ‘Black Force Domain’ from their first album released back in ’95. Personally I liked the original fine as it was but there’s nothing wrong with this re-recording either.

Excellent going to work sitting on the bus/tube music, and certainly worth 4.5 skulls out of 5.


Blast from the Past: Machine Head – Supercharger

Yep, that’s right. I’m going there. Seen by many as the ‘black sheep’ of Machine Head‘s discography, and part of a period in the band’s history that fans largely like to pretend merely did not exist. Supercharger isn’t the most popular of albums and was viewed by some critics as being a further divergence from “real metal”, instead having more than a nibble on the nipples of nu-metal. Dammit Machine Head, you shouldn’t have stared into the eyes of Medusa!

Regardless, earlier this month, Supercharger turned 10-years-old. That’s right, it’s the tenth anniversary and what better time is it, to review the most controversial of Machine Head‘s releases (well, besides The Burning Red maybe)?

Make the jump fuckers before I get all bulldozer on your ass. It’s Supercharger time y’all.

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